Our Lady of the Lake School
Our Lady of the Lake School will be working on a weaving unit in November and early December (see specific info on the signup table). JoEllen Daniels, the Art teacher, would like weaver volunteers to assist with these sessions, demonstrate weaving, and be available to answer student questions and help them complete CD weaving, kumihimo cording, or other weaving activities. If you have weaving from other cultures you can take to your session, or tools associated with weaving, that would be an added bonus.
Char Norman: Hope
Year: 2022
Category: Design
Venue: Convergence 2022, Knoxville
About Char:
Char Norman is an accomplished fiber artist specializing in weaving, papermaking, and fiber sculpture. Her work addresses environmental issues and the enduring need for all things to exist in a symbiotic relationship with none dominant over another. She received a Master of Fine Art from Claremont Graduate University, a Bachelor of Art from Scripps College and participated in numerous residencies across the nation and abroad. She has lectured and exhibited extensively both nationally and internationally, winning numerous grants and awards. She has developed and conducted workshops for all ages, worked as a consultant to area schools and community arts organizations, and served as a trustee for Greater Columbus Arts Council. She held the positions of Associate Provost and Dean of Faculty at Columbus College of Art & Design. Now as a fulltime studio artist, she draws inspiration from her many travels and explorations of natural environments. Her work can be found at www.charnorman.com and https://www.instagram.com/charstegernorman/
About the work:
Hope
Most of my work speaks of environmental issues and the need to protect and respect the natural world. The woven parts are inspired by seed pods and to me represent either wombs or shrouds-nurturing nature or grieving its demise. In this piece I wanted to present a more uplifting viewpoint. The woven pod incases milkweed seed pods which have already released their seeds into the world. The colors are soft and serene to aid in the feeling of quiet hope. The forms are fitted together in an attitude of harmony. My work usually starts on the loom where I engineer the shape of the pod. Off the loom I finish the edges and further define the shape by coiling the edges. The piece is the assembled with natural materials which I have found on my many nature walks.
Ruth Ronan: "Sunset Over the Smokies" Coat
Year: 2022
Category: Color
Venue: Convergence 2022, Knoxville
From Ruth:
“I have been sewing and making many of my clothes since I was in my early teens. I have taken tailoring classes and made fully tailored jackets for my husband. I bought a loom and begin weaving in 1966 but when my husband died I went back to school and to work and the loom went to the garage for about 20 years. I began weaving again in 1999. I attended my first Convergence in Vancouver, BC, Canada in 2002 and entered my first garment in the Fashion Show in Tampa Bay in 2008. In 2010, Convergence was in Albuquerque and Teresa Ruch produced official painted skeins of 5/2 Tencel in colors we selected for the conference. I purchased some of her painted skeins and wanted to make a shawl and have the colors come together in the warp. So I developed a way to turn the skeins into a “painted” warp (See article in Handwoven - September/October 2010 issue). I liked the results and thought the fabric would make a nice coat. So for the 2022 Convergence I ordered about 15 skeins from Teresa, selected a Vintage Coat pattern (S8509 from Simplicity) and got to work. I selected black satin fabric for the collar and cuffs and a bright yellow fabric for the lining.”
Library
At the April, 1937 meeting it was proposed that Mary Atwater's Recipe Book be purchased but the membership did not want to spend money from the Treasury at that time. By September of the same year, the idea of a library gained support. The Seattle Weavers' Guild Library now holds nearly two thousand items and is cataloged through Library Thing. Members can check out items when the library is open during meetings.
Grace G. Denny 1884-1971
Grace Denny was one of the founding members of the Seattle Weavers' Guild. Miss Denny came to Seattle in 1914 to teach Home Economics at the University of Washington. (She was not related to the Denny family associated with the founding of Seattle). While at the University she was recruited by one of the major department stores in Seattle, The Bon Marche, to write some definitions about textiles and fibers so the store's buyers would know some thing about their textiles. This ultimately became the book known as Fabrics which was first published in 1923 and is now in its eighth edition.
1938 Exhibits
In 1938 two exhibits were held, one at the Rhodes Department Store and one at Fredricks.
Deborah Zeitler: Three Bowls in a Bowl
Year: 2020
Category: Design
Venue: Convergence 2020, online
Terry Mattison: Rep Runner
Year: 2019
Category: Design
Venue: Association of Northwest Weavers Guilds Conference, Prince George, B.C.
Linda Gettmann: Coding Resistance
Year: 2019
Category: Color
Venue: Association of Northwest Weavers Guilds Conference, Prince George, B.C.
Lillian Whipple: Red to Blue and Green All Over
Year: 2018
Category: Color
Venue: Convergence 2018, Reno
Cynara de Goutiere: Haiku 1: Frost on Wild Persimmons
Year: 2017
Category: Design
Venue: Association of Northwest Weavers Guilds Conference, Victoria, B.C.