Upcoming Events

December: SWG Members
Dec
5

December: SWG Members

12/5/24
Morning (11AM): “Member Spotlight” featuring four SWG Weavers

  • Allyce Wood: "Digital Jacquard Tapestry - Weaving Coded Images in Norway, Iceland, and Ohio"

  • Gabi Nirino: “Always In Between”

  • Jennifer Shuster: "TIFF, Text, Textiles and Technology: Loom controlled imagery and words”

  • Sarah Kaltsounis: "Northwest Coast Weaving"


Afternoon (1PM): SWG Fashion Show

DOWNLOAD ENTRY FORM FOR FASHION SHOW HERE

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January: Tegan Frisino (in-person)
Jan
23

January: Tegan Frisino (in-person)

1/23/25
AM: “From Fleece to Blanket"
PM: "Lessons Learned"

Take a journey, through the eyes of a production weaver, on what it takes to go from Sheep to Finished Product. Throughout the presentation, Tegan will provide suggestions on how to implement local(ish) wool to a small studio practice, and a honest approach to what it is like working within the fiber supply chain.

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Workshop: Tegan Frisino
Jan
24
to Jan 26

Workshop: Tegan Frisino

Jan 24-Jan 26, 9:00am-4:30pm (3 days)
This workshop is now open to the public (11/3/24).
Registration Link: https://secure.lglforms.com/form_engine/s/6TAyAHzxeuD4a03ibVlTpw
Please email the Workshops Chair with questions.

“Deep Dive into Profile Drafts” (three day in-person workshop)

If you understand a weaving draft, you can understand how to make a profile draft work for you. This draft intensive study will guide the class through reading and translating a profile draft into multiple structures. The information we gather from these exercises will then be explored on the loom, and worked round robin so that each resulting structure can be experienced by every student. This intermediate level class will help build confidence in reading weaving drafts and encourage curiosity through structure sampling.

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February: Christine Miller (in-person)
Feb
27

February: Christine Miller (in-person)

2/27/25
Morning (11AM): “Design a Digital Vision Board”
Afternoon (1PM): “Fiber Art: Become the Artist You Want to Be

Learn how to gather creative ideas in a digital vision board to focus on specific topics like: color, weave structure, nature inspiration, or artist inspiration.  Christine leads this program using a simple digital tool to organize ideas and inspiration, helping you to put in order the information that will support and grow your creative efforts.

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Workshop: Christine Miller
Feb
28
to Mar 2

Workshop: Christine Miller

Feb 28 - Mar 2, 9:00am-4:30pm (3 days)
Registration:
Nov 9 (noon) members, Dec 7 non-members
Visit: https://www.seattleweaversguild.com/workshop-registration when open.
Please email the Workshops Chair with questions.

“Weaving with Wire” (three day in-person workshop)

Weaving with wire creates a woven metal fabric that is strong and capable of being used for a wide range of sculptural forms. This three-day workshop will take the participants through all of the steps of creating woven metal fabric and will allow them to fabricate some small sculptures or jewelry during the workshop.
This is not a round robin.

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Workshop: Deb Essen
Mar
29
to Mar 30

Workshop: Deb Essen

Mar 29-30, 9:00am-4:30pm (2 days)
Registration: Dec 14 (noon) members, Jan 4 non-members
Please email the
Workshops Chair with questions.

“Color in Weaving” (two day in-person workshop)

You select the yarns for a project – they look so great together on the cones. Then you put them on the loom and well, things don’t look like you had envisioned. This 2-day class is an introduction to color theory for weavers. We will discuss color theory, working with different color combinations and how color value affects your weaving projects so that you can achieve color success in your projects.
This is not a round robin.

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Workshop: Patrice George
Apr
26
to Apr 27

Workshop: Patrice George

Apr 26 - 27, 9:00am-4:30pm (2 days)
Registration: Jan 11 (noon) members, FEB 8 non-members
Please email the
Workshops Chair with questions.

“Leno Structures: Weaving with Doups on 4-8 Shaft Looms ” (two day in-person workshop)

In this 2-day workshop, students will learn about Leno, which by definition, is a variation of the normal plain-weave structure that requires a modification of the standard handloom harness/heddle arrangement to produce. To weave leno structures, a half-heddle called a doup is added to the front harness (or harnesses) of the loom. This doup crosses under a warp end that is not raised during weaving, called the ground end.  The crossing end is entered through the last harness of the loom, and through the eye of the doup (on the first harness of the loom). By alternating lifts of the doup harness and the back harness, the two ends of the leno unit are intertwined as the weft is inserted.
This is not a round robin.

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Workshop: Beth Johnson
May
23
to May 25

Workshop: Beth Johnson

May 23-25, 9:00am-4:30pm (3 days)
Registration: Feb 8 (noon) members, Mar 1 non-members
Please email the
Workshops Chair with questions.

“Sashiko-Ori” (three day in-person workshop)

Sashiko-ori or Woven Sashiko challenges weavers to think about design in a different way as they learn to control the intersections of pattern threads in the warp and weft. In this 3-day workshop, students will learn to design and weave these patterns and learn ways to stitch patterns into the cloth which they can take home to work on. The workbook will give students some additional avenues to explore after the workshop.

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Sept 26: Lynn Smetko (in-person)
Sep
26

Sept 26: Lynn Smetko (in-person)

Morning (11AM): “Design Deliberations”
Afternoon (1PM): “A Design Journey”

Designing can be hard work! Do you have trouble deciding what or how to design for weaving? Are there too many choices or not enough? Are you stuck in a rut with your designs? Sometimes the best ideas come from considering the work of others. Many different approaches to weave design will be explored while looking at inspiring examples. 

HANDOUT TO DOWNLOAD, CLICK HERE

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Workshop: Sue Lawty
Aug
2
to Aug 4

Workshop: Sue Lawty

TO REGISTER:
Workshop is now full (7/26/24).
Please email
Jenny Heard for additional information.

“Tactile Sensibility in Woven Tapestry,” (three day in-person workshop)

The overriding gain of this course is to hone the eye, hand, and intellect in the intricate interplay of structure, material, and design in woven tapestry. The tutor’s own quiet, minimal, and abstract works are strongly informed by the material of their construction. Whether working in linen, hemp, raffia, or paper, she talks of the ‘integrity of mark-making intrinsic to a particular thread or structure’ and her focus is to ‘make work that speaks its own vocabulary.’ These ideas will form the focus for this workshop. Participants will generate several carefully considered samples, each examining a distinct facet in the creation of woven tapestry cloth

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May 23: Cally Booker (Zoom)
May
23

May 23: Cally Booker (Zoom)

AM: “Exploring Double Huck”

Two layers of huck lace: what can they do? One of the happy surprises of this structure is just how appealing a double huck fabric is. From elegant scarves with beautiful drape, to towels and blankets with an irresistible ‘bounce’, it is lovely to wear and to handle. Cally will introduce double huck and take you on a tour through her experimentation with this flexible and attractive structure.

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Workshop: Cally Booker
May
11

Workshop: Cally Booker

2nd Session: May 28, June 1 & 4 - CLOSED/FULL
Please email the
Workshops Chair with questions.

An Exploration of Double Huck” (three day Zoom workshop)

During the 3-session virtual workshop, students will weave a variety of samples in double huck, including layer and block exchange, stitched layers, mixed structures and color-and-weave effects. The program includes three talks to introduce different aspects of the material, as well as supporting video demonstrations which participants can access at any time. In the final session, we consider extending the structure to more than 8 shafts. This is not a round robin. Participants will need to have access to an 8-shaft loom and will receive full instructions enabling them to set up their looms ahead of time. Note that countermarche looms are not suitable for this workshop..

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Workshop Two: Katherine Lewis
May
4

Workshop Two: Katherine Lewis

TO REGISTER: 2 sessions
Session #1: March 30-31, 2024 - Session is FULL
Session #2: May 4-5, 2024 - Session is FULL
Please email the
Workshops Chair with questions.

“Oval Willow Basket Workshop” (two day in-person workshop)

This two-day workshop will cover construction of a slender oval willow basket, which is great for shopping, going on picnics, carrying paperwork or maybe your current needlework project. The basket begins with a base woven on a frame, and stakes attached using a method called scalloming. The base is fun to weave, and learning to cut scalloms and attach stakes in this way will let you see how to design baskets of all shapes and sizes. Students must be comfortable using a knife for this class and hand strength is necessary when weaving with willow. The basket will be woven from willow grown on the instructors Skagit Valley farm. Colors of willow will vary. Leather will be provided for two shorter handles or one longer shoulder strap.

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Workshop: Mary Zicafoose
Apr
26
to Apr 28

Workshop: Mary Zicafoose

TO REGISTER: 2 sessions
Session #1: April 26-28, 2024 - Session is FULL

Session #2: April 29 - May 1, 2024 - Session is FULL
Please
email the Workshops Chair with questions.

“The Shifted Ikat Scarf” (three day in-person workshop)

Ikat is the centuries-old art and technique of resist-dying pattern into individual threads before weaving. It is a complex and revered fiber process resulting in graphically elaborate and compellingly beautiful woven cloth. Ikat wrapped yarns, when dipped in vats of dye, ihttps://www.seattleweaversguild.com/workshop-registrationnstantly become timeless, immersed in an ancient partnership between intention, design, and color.

Participants in this three-day workshop will design, wrap, dye, and weave a blue/white ikat scarf while learning the basic techniques of the warp ikat process. Each student will stretch a warp for an ikat scarf using warp yarns and a warping board they have brought to class. Several ikat warp wrapping methods will be demonstrated. The first day’s session will culminate in students dyeing their ikat wrapped warps using Procion Mx fiber reactive synthetic dye and then unwrapping the ikat resist warp bundles. Yarns will be hung to dry overnight.

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April 25: Mary Zicafoose (in-person)
Apr
25

April 25: Mary Zicafoose (in-person)

AM/PM: Notes from the Field

My favorite talks are those that I give to weavers and creatives who work with cloth. Over many years I have reflected on what makes these moments, when we come together as makers, so compelling and almost magical. Is it the lineage we share, the equipment, materials, and familiar techniques we hold in common that so compels us? Or is it the exotic wardrobes of amazing cloth that predate us, the bolts of historic and intoxicating fabrics that have dressed generations and continue to profoundly inspire us?

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Workshop One: Katherine Lewis
Mar
29

Workshop One: Katherine Lewis

TO REGISTER: Workshop is Full
Please email the
Workshops Chair with questions.

“Willow Bark Windmill Weave Basket” (one day in-person workshop)

During this one-day workshop, students will use prepared ¼” strips of willow bark to play with windmill weave to form this unique basket. Several examples of shape and design will be shown, and students will then decide to either work to an exact plan or make it up as they go along. After creating some samples of the weave to save as reminders, students will weave a simple over under base, and then commence the windmill weave sides. Once you’ve mastered the “stitch” the weaving is enjoyable and repetitive.

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March 28: Elaine Palmer (in-person)
Mar
28

March 28: Elaine Palmer (in-person)

PM: “Photographing & Styling Handwovens, by Elaine Palmer.

We photograph our handwovens for many reasons: to catalog our personal work, for submission to juried shows, to post on our websites, and for printed publications. This talk discusses design and technical considerations when photographing and styling handwovens for different media. The talk includes discussion of studio lighting, outline vs. simple environment, and styling techniques Elaine used when photographing handwovens for the Weavers’ Guild of Boston’s 90th Anniversary book, Interlaced. There will be a short demo of the lighting technique and styling at the end of the presentation.

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March 28: Katherine Lewis (in-person)
Mar
28

March 28: Katherine Lewis (in-person)

AM: “Weaving with Willow- from farm to basket”

Willows are most often used for strong functional baskets, but creative and decorative pieces can also be woven from willow bark. Basket weaver Katherine Lewis will tell you the story of how willow took over her life, from growing the material to weaving baskets from both withies and bark

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February: Daryl Lancaster (Zoom)
Feb
22

February: Daryl Lancaster (Zoom)

AM: “Combining Warps and Structures for Wow! Yardage”
PM: “YouTube Video: Leftovers”

We start with some basics on weaving yardage, what to weave and how to sett it. The most important part though, is finding out what you’ve got, and how to make it work for you. Learn how to know what’s on the cone, or in the skein, and see how far it will go! The focus here is on 8 shafts. With 8 shafts you can magically combine structures and different yarns and create some inspiring and truly unique fabrics. Lots of drafts and lots of examples.

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Workshop: Daryl Lancaster
Feb
22
to Mar 1

Workshop: Daryl Lancaster

TO REGISTER: 2 sessions
Session #1: Feb 22-23, 2024 - Session is FULL
Session #2: April 13-14, 2024 - OPEN / NOT FULL
registration for Session #2 opens Feb 3, 2024 @ noon, go to:
https://www.seattleweaversguild.com/workshop-registration
Please email the
Workshops Chair with questions.

“Garment Construction and Finishing Techniques for Handweavers and Other Fiber Artists” (two day Zoom workshop)

A crash course in garment construction, embellishment, piecing, fit, finishing, and all-around fun! For weavers or anyone interested in learning to construct great looking and great fitting garments. Learn to be creative with your seam finishes, buttonholes, closures, linings, and embellishment. This is a terrific class for those wanting to learn to sew clothing from their hand-woven or other special fabric, as well as for those more experienced wanting polished and professional results. This class is both PowerPoint lecture and hands on!

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Workshop: Sara Bixler
Jan
27
to Jan 28

Workshop: Sara Bixler

TO REGISTER: Workshop is full (10/15/23).
Please email the
Workshops Chair with questions or to be placed on a wait list.

“Zig Zag Rag Rug Techniques” (two day in-person workshop)

Students will weave a table runner or placemats during this 2-day workshop. The techniques they learn through these smaller projects can be applied to larger rugs on bigger looms. They will learn the techniques and tricks unique to zig zag rag rugs, including additional information on selvedge edges and finishing techniques that are unlike other rug finishes they may have been exposed to.

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January: Sara Bixler (in-person)
Jan
25

January: Sara Bixler (in-person)

AM: “Exploring Japan- A travel journal looking at some ancient and modern textile making traditions of Japan”
PM: “Continued, with a wrap up including more specific examples that relate to the workshop on rag weaving techniques.”

Join Sara as she takes you along a virtual tour of Japan. She and her students explore cities and rural areas to experience the making traditions of Japanese fiber artists. On this whirlwind trip, Sara will explain how cultural influences have shaped the material usage and making practices in many different areas of textile traditions; embroidery, spinning, weaving, temari ball stitching, dyeing and more! We will visit remote areas very infrequently visited by outsiders who have maintained some practices for more that 1,300 years, as well as modern manufacturing processes in silk factories. In-person guests will have an opportunity to put their hands on samples that are sure to impress and inspire. We will discuss some of our more unique experiences and hands-on workshops we participate in. Lastly we will look at how these Japanese crafts have left their shore to influence artists from all around the world.

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November (PM): Teresa Owens (present)
Nov
30

November (PM): Teresa Owens (present)

PM - Group Activity: “Fancy Paper Crowns for an occasion, because everyone is special!”

Use your imaginative skills to make a special crown for yourself or a special friend. Elegant or witty, it’s great for kids and grownups too, special occasions and everyday wear. Nice alternative to a birthday card. Embellish to the max, or keep it simple. This will be a fun opportunity to expand your creative skill set and make something fun and special.

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November (AM): Margo Selby (Zoom)
Nov
30

November (AM): Margo Selby (Zoom)

AM: “Woven Textiles – Art Into Industry”.

Margo Selby is an internationally renowned woven textile designer. Her design philosophy is focused on pushing the boundaries of weaving to create contemporary stylish fabrics for a range of textile applications. Alongside her commercial textile design business Margo also creates distinctive handwoven artworks, which unite a modernist aesthetic with traditional weaving techniques. In her talk Margo will talk about her career in woven textiles, how the brand has evolved and the crossovers between her work as an artist, craftsperson and designer.

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October (AM): Erica Jarman (Zoom)
Oct
26

October (AM): Erica Jarman (Zoom)

AM only: “Keeping Italian Textile Traditions Alive”.
(PM: Sale Setup)

When I arrived in the Serchio River Valley in Lucca Province in 2004, I met spinners, weavers and other textile workers who had learned their craft from mothers and grandmothers who had learned in the same way, possibly extending back to Etruscan, Bronze Age and even Neolithic times. I will speak about ten people and three institutions which are or were until recently actively carrying forward these traditions.

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September: Karen Selk (in-person)
Sep
28

September: Karen Selk (in-person)

AM: “How History has Shaped Wild Silk in India – Tasar (tussah)”
PM: “Thirty Years of Change for Muga and Eri”

Wild silk is much more than the miraculous journey of metamorphosis from caterpillar to silken luxury. It is tightly woven to an ancient living culture raising tasar, muga and eri silkworms in remote forests of central and eastern India. Raising wild silkworms, reeling cocoons, spinning fiber and weaving silk cloth provides sustainable work, while protecting the environment, and supporting communities. Photos and stories captured from weavers, spinners, and silkworm farmers over thirty years of research will transport you into their homes and villages to witness the love and dedication involved in each part of the process from soil to cloth.

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May Afternoon Program: Kris Leet - Lessons From the Past: Revelations from Iron Age Textiles, Part 2
May
25

May Afternoon Program: Kris Leet - Lessons From the Past: Revelations from Iron Age Textiles, Part 2

This two-part presentation, morning and afternoon) will ask, and attempt to answer, the question “What (and how and why) were Iron Age weavers producing the amazing woven cloth and bands they left behind? We will examine the textiles they made, the tools and technology they used, and other cultural artifacts found with those textiles which help shed light on their meaning and status. We’ll also look at how these revelations from the past encourage us to re-evaluate the limits of our modern understanding of the craft of weaving.

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May Morning Program: Kris Leet - Lessons From the Past: Revelations from Iron Age Textiles, Part I
May
25

May Morning Program: Kris Leet - Lessons From the Past: Revelations from Iron Age Textiles, Part I

This two-part presentation, morning and afternoon) will ask, and attempt to answer, the question “What (and how and why) were Iron Age weavers producing the amazing woven cloth and bands they left behind? We will examine the textiles they made, the tools and technology they used, and other cultural artifacts found with those textiles which help shed light on their meaning and status. We’ll also look at how these revelations from the past encourage us to re-evaluate the limits of our modern understanding of the craft of weaving.

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Workshop: Kris Leet - Less Than Four: Vacant-hole Tablet Weaving
May
19
to May 21

Workshop: Kris Leet - Less Than Four: Vacant-hole Tablet Weaving

Sold out! Please contact the Workshops Chair to be put on a waitlist.

Using fewer than four threads per tablet, a technique dating back to the Hallstatt culture (c. 1500BCE), allows the weaver more flexibility in design, produces a less bulky band, and requires that the weaver have a good working knowledge of how tablet weaving works. In this workshop we will survey the range of vacant-hole techniques historically available to the weaver, examine the variables which control tablet weaving, and weave both a three-thread and a two-thread sample band. We will also discuss and practice both warping and drafting for the two techniques. Students will receive an extensive handout, including information on many of the techniques surveyed.

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Workshop: Janney Simpson - Connections, Layers, Pockets & Beyond Traditional Deflected Double Weave
Apr
28
to Apr 30

Workshop: Janney Simpson - Connections, Layers, Pockets & Beyond Traditional Deflected Double Weave

TO REGISTER: FULL (updated 4/15/23):
Please email the
Workshops Chair with questions.

Deflected Double Weave (DDW) is a weave structure that has been “around” for a long time—at least as far back as the Ancient Colonial Shawl draft published in Mary Meigs Atwater’s Recipe Book, 1957. It has been called many things by many weavers and whether it is truly “double weave” is still debated. Traditionally, double weave is a single cloth in which there are two weaves. One warp interlaces with one weft and another warp interlaces with a second weft.

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April Afternoon Program: Janney Simpson - Beyond Traditional Deflected Double Weave
Apr
27

April Afternoon Program: Janney Simpson - Beyond Traditional Deflected Double Weave

Deflected Double Weave lends itself well to being woven as “something else.” Crimp weave, loom-controlled weft shibori, and plain weave can all be woven on DDW threadings. On 16 shafts, DDW can be woven in 2/2 twill, combined with collapse weave or twill bands, and used to create stunning v-shaped shawls. Explore the options beyond traditional patterns.

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April Morning Program: Janney Simpson - Deflected Double Weave: Connections, Layers, & Pockets
Apr
27

April Morning Program: Janney Simpson - Deflected Double Weave: Connections, Layers, & Pockets

Deflected Double Weave is a weave structure that has been around a long time and is quite popular today. It consists of plain weave with adjacent warp and weft floats. When the woven cloth is off the loom, the threads slide or deflect from their position into the float areas. This creates interesting interlacements and textures. I have been combining DDW with traditional double weave to create connections, layers, and pockets all in the same piece for dramatic scarves and shawls with a variety of fibers, colorways and designs.

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Workshop: Rosalie Neilson - Color & Design in Huck Lace Towels
Mar
25

Workshop: Rosalie Neilson - Color & Design in Huck Lace Towels

Sold out! Please contact the Workshops Chair to be put on a waitlist.

[VIRTUAL WORKSHOP] The structure of Huck Lace provides a treasure trove of pattern for weavers. It is a shaft-efficient weave structure where an 8-shaft loom produces 6-block patterns; and a 4-shaft loom produces sixteen different ways to combine textures of warp & weft floats with plain weave.

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Morning Program: Rosalie Neilson - Kumihimo: From Defense to Decoration
Mar
23

Morning Program: Rosalie Neilson - Kumihimo: From Defense to Decoration

Rosalie will join via Zoom. This slide lecture presents a history of Japan through the perspective of kumihimo or plaited silk cords. It traces the historical development of Japanese plaited cords from fossilized remains in grave mounds to the exotic Samurai era when silk cords were used to lace together the warrior's armor. It also explores the current fashion trends using cords as obijime (an integral part of securing the obi and kimono) as well as decorative neckpieces. In addition to the slides taken in Japan and at the Metropolitan Museum of Art, there are also slides taken by a professional advertising photographer in Kyoto, documenting past fashions in kimono and obi. The samurai slides will include the recent exhibit of armor at the Portland Art Museum.

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Feb
24
to Feb 26

Workshop: Rebecca Winter - Shadow Weave: The Multifaceted Structure

Shadow Weave is a subset of color-and-weave; and it is related to many techniques, other structures, and contrivances in weaving. This sometimes makes it feel unattainable. If we take it one characteristic or method at a time we are able to traverse the many pathways it offers. This workshop will be a round robin style exploration of the method developed by Marian Powell for weaving Shadow Weave. You will be weaving brand new drafts developed by your instructor. Each loom will have a different draft. Participants will be given all the drafts in a multiple page binder filled with colorful handouts.

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Feb
23

Afternoon Program: Rebecca Winter - Powell Shadow Weave Part II

The design depth of Powell Shadow Weave is something barely plumbed by weavers. Enjoy an introduction to the concepts and basic structure parameters during the morning program. We will start with a brief review of the history of Shadow Weave. Inspiring you to pursue Powell Shadow Weave in your own weaving practice is the goal. In the afternoon Rebecca will show her recent series of numbered Shadow Weave art pieces called “Tapestries.”

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